Pod Hard

Action Movie History 1925 (Orochi)

What do you get if you add some under-cranked action footage of samurai warriors moving in unison, staccato-like editing of emotional turmoil, a camera moving away from the fight with everybody chasing after and the presence of fear and respect amongst the participants to one and the same movie reel?

Well, first and foremost you'll get some good stuff in your hands - and you're most likely watching Japanese samurai flick Orochi (The Serpent).

Jonas Högberg & Anders Hultqvist discuss this delightful little nugget when manhandling the year 1925 in their ongoing quest to trace the history of action cinema. Also appearing in this episode: Harold Lloyd's The Freshman, Buster Keaton's Seven Chances, Douglas Fairbanks Don Q, Son of Zorro.

"The Dean of the College - he was so dignified he never married for fear his wife would call him by his first name."

Action Movie History 1926 (The General)

Silent movies sure love their trains. So when Pod Hard reach the year 1926 Jonas Högberg & Anders Hultqvist come face to cowcatcher with the train movie to rule all train movies - Buster Keaton's The General.

The podcasting duo battle each other for the fanciest superlatives when describing this masterpiece, talk about how the curves of the railroad tracks sets up for one of the most impressive shots within a shot in movie history, discuss the gliding capacity of Buster Keaton and desperately tries to keep up as the money shots are ramping up in quick succession.

Also featuring in this jam packed episode: Harold Lloyd's For Heavens Sake, Douglas Fairbanks The Black Pirate, Tom Mix's The Great K & A Train Robbery, Larry Semon's Stop, Look and Listen and Daisuke Ito's Chokon.

"When I get through with that uptown dude, they can put a lily in his hand and close the lid!"

Action Movie History 1927 (Wings)

Up, up and away!

Jonas Högberg & Anders Hultqvist reach for the sky in this episode of Pod Hard. The first ever Oscar-winner for best picture, Wings, soars high above the rest of the action films of 1927 with spectacular dog fights, ingenious camera movements and daredevil movie making at the forefront.

The film also include a (serial) killer impression of Crispin Glover, a bromance turning gaymance, an American flag on a trembling biceps, Clara Bow playing hide and seek with German bombers, Hayao Miyazaki-clouds shouldering set pieces, two swanky butts moving away from camera and bubbles. Lots and lots and lots of bubbles.

"H'ray for bubbles!"

Action Movie History 1928 (Steamboat Bill Jr)

Michael Bay and Roland Emmerich sure know how to destroy large populated areas with computers, but when you need to wreck a town for real there's only one lunatic for the job: Buster Keaton.

Steamboat Bill Jr is a powerhouse of a movie and utterly, utterly bonkers. Jonas Högberg & Anders Hultqvist loose themselves in a discussion about stop and continue-pans, compare hands to toilet lids and reads way too much into facial hair.

Meanwhile Buster pulls out all the stops as he glides through the streets on his ear, flies on a tree, takes a quick peak inside a loaf of bread, crosses his legs while unconscious, wears Gary Daniel-sized jackets and face a falling wall with balls the size of cocoanuts.

Also featuring in this larger than life episode of Pod Hard: Bebe Daniels Feel my Pulse, Harold Lloyd's Speedy, Vsevolod Pudovkin's Storm over Asia, Shôzô Makino's Chushingura: The Truth, Kanjûrô Arashi's Kurama Tengu and... Buster Keaton's The Cameraman.

"He'll ruin 21 years of antiseptic supervision!"

Action Movie History 1929 (Die weiße Hölle vom Piz Palü)

Bring out your lederhosen and your trusty pick axe - it's time to go mountain climbing with Pod Hard!

Jonas Högberg & Anders Hultqvist watch The White Hell of Pitz Palu (Die weiße Hölle vom Piz Palü), a bergfilme nowadays perhaps most known as a reference - and part of a cover story - in Inglorious Basterds.

And it's a very odd movie, to be sure. Action fans might be disappointed as the movie in total only delivers around 10-15 seconds of undeniably great doll action in the Swiss mountains.

But there is a lot to talk about! Anders details a sexual suggestion theme and trace the many faces of the brooding hero Gustav Diessl, Jonas have only contempt for the clean shaven German actors and discuss headpieces. And where does Spongebob Short Pants fit into all of this?

"The ice seems foreboding."

Action Movie History 1930 (Hell's Angels)

Pod Hard bid The Roaring Twenties a fond farvel as we move into the 1930s. Jonas Högberg & Anders Hultqvist see their first sound film, the Howard Hughes-directed air battle-extravaganza that is Hell's Angels.

Sure, the story is a drag and the two male actors playing the leads give the adjective "wooden" a bad name but Jean Harlow virtually explodes on screen in her first starring role and the action, the action is flabbergastingly good!

We are treated to not only one, but TWO greatest-explosions-of-all-time, a zeppelin is shrouded in a ghostly vibe, the spectacular air battles are interlaced with funny reaction shots, a waiter does an excellent pratfall and faceplant some soup and the explosions explode.

Ladies and gentlemen - we have arrived at action cinema!

"I'm a shotgun you son of a bitch!"

Action Movie History 1932 (Scarface)

Once upon a time, in the early 30s, gangster movies were all the rage. Tommy guns, the Chicago skyline and prohibition speakeasies filled the big screen as hardboiled men treated the world as their own personal oyster.

In much the same vein Jonas Högberg & Anders Hultqvist share their opinions on Scarface, the perhaps most "dangerous" of the early gangster movies. Paul Muni excels as the titular hoodlum in a performance that combines the mannerisms of Cosmo Kramer from Seinfeld and the Italian American-schtick of Chico Marx.

Director Howard Hawks shows his dick, people are ducking bullets for real, a secretary pulls a gun on a telephone, The Penguin plays a police chief, cigars the size of logs are being chewed and people say things like "Say, what's the big idea".

Oh, and there's no music. No music! At all! Jonas & Anders are enthralled.

"I'm all hollow inside."

Action Movie History 1933 (King Kong)

It's time to pull out the big guns - in the form of one big-ass ape hell-bound for destruction!

This week Jonas Högberg & Anders Hultqvist watch one of the all-time classics: King Kong. The special effects may be a bit dated in some regards, but for the most part they hold up surprisingly well - as does the ingenius sound design.

The main monkey is showing off a lot of emotions and nuanced character traits. Kong is idly checking out dead bodies, wrestles a T-Rex with the pizzazz of a showman, pulls out his Peeping Tom when window shopping in New York and goes full drama queen at the very end.

"It was beauty killed the beast."

Action Movie History 1933 (Footlight Parade)

Time to unleash the legs of Jimmy Cagney!

Pod Hard-cicerons Jonas Högberg & Anders Hultqvist watch their first musical in their ongoing quest through action film history and are utterly mesmerized by the insanity that is Footlight Parade.

Cagney plays a theater director who start making prologues, small live musical numbers set before movies in cinemas. Everybody involved in the productions are fast-talking on a Groucho Marx- or Katharine Hepburn-level and zingers, comebacks and sexual innuendos flood the screen in a matter of seconds!

The musical numbers, directed by theatre legend Busby Berkeley, is the epitome of old Hollywood with beautiful women swimming in elaborate patterns (like the mobile game Snake), suave guys and gals tap-dancing on bardisks and cute cats inspiring crazy ass ideas.

One thing's for sure: this is one pervy movie!

"Outside, countess. As long as they've got sidewalks YOU'VE got a job."

Action Movie History 1933 (Keisatsukan)

Film noir was "invented" in America in the 40s right? Well, it all depends on how you wanna define it. Some say the German Expressionism of the 20s was film noir in a sense, but one thing is for sure: Tomu Uchida's Keisatsukan (Police Man) is film noir.

Jonas Högberg & Anders Hultqvist watch a movie of two halves: the first a pedestrian insight into life as a police man in Japan during the 30s, the second a descent into sleuth territory. Isamu Kosugi's cop turns into Humphrey Bogart stalking his prey in alleyway after alleyway, conning his suspect to unknowingly hand over evidence and donning a trenchcoat and Stetson hat for style.

But the real star of the show is the camera man. Soîchi Aisaka pulls out every trick from the tool box: whip pans, focus pulls, trolley rides. And when the climactic ending arrives we are treated to some amazing searchlight action!

"Do you ever recall von Hardenberg?"